Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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TERBRUGGHEN, Hendrick
Jacob Reproaching Laban dfhg

ID: 09273

TERBRUGGHEN, Hendrick Jacob Reproaching Laban dfhg
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TERBRUGGHEN, Hendrick Jacob Reproaching Laban dfhg


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TERBRUGGHEN, Hendrick

Dutch Baroque Era Painter, ca.1588-1629 Dutch painter, a leading member of the Utrecht school. He was a pupil of the history painter Bloemaert before living (c.1604?C14) in Italy. Crowning of Thorns (1620; Copenhagen) is his first known dated work. Like his contemporaries Honthorst and Baburen, he was largely influenced by Caravaggio, although an awareness of D??rer and Lucas van Leyden recurs throughout his work. His intimate and restrained genre compositions foreshadow in coloring the work of Vermeer. Many of Terbrugghen's paintings are nighttime genre scenes. His work is represented in the major European museums. Typical examples are his St. Sebastian (Allen Mus., Oberlin, Ohio), Old Man Writing   Related Paintings of TERBRUGGHEN, Hendrick :. | Duet ar | Lute Player awr | The Concert r | The Adoration of the Magi sdtg | Boy Lighting a Pipe aer |
Related Artists:
BOSSCHAERT, Jan-Baptist
Flemish painter (1667-1746)
Edith Hayllar
British Painter, 1860-1948
CATENA, Vincenzo
Italian Painter, ca.1480-1531 His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena's are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits.






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